GUILT TRIPPING AND HYPOCRITICAL PASSIVE AGGRESSIVE OBLIGATIONS ARE FUCKING DOUCHEY AS FUCK AND NOT THE WAY TO MAKE ANYONE RESPECT YOU OR DO WHAT YOU WANT
Adulthood is learning how to get out of toxic environments and start healing.
((Adulthood is also having cocktails and lots of candy and playing a cute sonic racing game all day))
Paloma Noyola: The Face of Mexico’s Unleashed Potential
When a report emerged in September 2012 that a girl from one of Matamoros’ poorest neighborhoods had attained the highest math score in Mexico, some doubted its veracity. It must be fake, they said.
But it wasn’t fake. Her name is Paloma Noyola, and what most reports failed to mention is that almost all of her classmates also scored very high on the national math test. 10 scored in the 99.99% percentile.
Paloma and her classmates also scored in the top percentile in language. Something special was happening at José Urbina López primary school in Matamoros, and Wired went to take a look.
The high test scores turned out to be the work of a young teacher who also came from humble beginnings. Sergio Juárez Correa was tired of the monotony of teaching out of a book and wanted to try something new to help engage his students when he came across the work of Sugata Mitra, a UK university professor who had innovated a new pedagogy he called SOLE, or self organized learning environments. The new approach paid off.
Although SOLE usually relies on unfettered Internet access for research, Juárez and his students had very limited access. Somehow, he still found a way to apply Mitra’s teachings and unleash their potential.
From the beginning, Paloma’s exceptional abilities were evident:
One day Juárez Correa went to his whiteboard and wrote “1 = 1.00.” Normally, at this point, he would start explaining the concept of fractions and decimals. Instead he just wrote “½ = ?” and “¼ = ?”
“Think about that for a second,” he said, and walked out of the room.
While the kids murmured, Juárez went to the school cafeteria, where children could buy breakfast and lunch for small change. He borrowed about 10 pesos in coins, worth about 75 cents, and walked back to his classroom, where he distributed a peso’s worth of coins to each table. He noticed that Paloma had already written .50 and .25 on a piece of paper.
As Mr. Juárez implemented more of Mitra’s teachings in his classroom, Paloma continued to stand out as an exceptionally gifted student:
Juárez Correa was impressed. But he was even more intrigued by Paloma. During these experiments, he noticed that she almost always came up with the answer immediately. Sometimes she explained things to her tablemates, other times she kept the answer to herself. Nobody had told him that she had an unusual gift. Yet even when he gave the class difficult questions, she quickly jotted down the answers. To test her limits, he challenged the class with a problem he was sure would stump her. He told the story of Carl Friedrich Gauss, the famous German mathematician, who was born in 1777.
When Gauss was a schoolboy, one of his teachers asked the class to add up every number between 1 and 100. It was supposed to take an hour, but Gauss had the answer almost instantly.
“Does anyone know how he did this?” Juárez Correa asked.
A few students started trying to add up the numbers and soon realized it would take a long time. Paloma, working with her group, carefully wrote out a few sequences and looked at them for a moment. Then she raised her hand.
“The answer is 5,050,” she said. “There are 50 pairs of 101.”
Juárez Correa felt a chill. He’d never encountered a student with so much innate ability. He squatted next to her and asked why she hadn’t expressed much interest in math in the past, since she was clearly good at it.
“Because no one made it this interesting,” she said.
Although this Wired piece focuses mostly on Sugata Mitra, it does once again highlight the story of Paloma Noyola. Unfortunately, after a brief spurt of media attention, little on Paloma was ever mentioned and, as was pointed out by Wired, nothing was ever said of Mr. Juárez.
As with most stories in the Mexican press — and those popular with the middle-class — things suddenly become very important once it’s featured in a gringo publication. Which is a very sad commentary. We hope, however, that this story pushes those in the press, state and federal government to look not to the United States for validation but to Mexicans like Sergio Juárez doing good work in places like Matamoros.
The clear message in this story is that there are thousands of Paloma Noyolas going to school in Mexico who, just like her at one time, are not being challenged and therefore aren’t very interested in school. This story can, if we want it to, raise enough awareness to shift the discussion from poverty to opportunity.
Paloma truly personifies both Mexico’s challenges and unleashed potential.
Read the entire Wired story here: How a Radical New Teaching Method Could Unleash a Generation of Geniuses
Editor’s note: As an addendum, Wired provided information on helping support Sugata Mitra and his School in the Clouds project, and although they donated school supplies and equipment to José Urbina López School, we’re interested in seeing if we can help set up a similar fund for Sergio Juárez, the teacher featured in this story.
Also, $9,300 was raised to help fund Paloma’s education last year. We’re going to follow up with the economist who led the fundraising campaign to see how she’s doing. Stay tuned for the updates.
eamo2747 said: I'm confused about what Beethoven was doing in the black composers post. He was German.
By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.
Anyway, here’s proof that Beethoven was Black:
"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.
In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:
(Louis Letronne, Beethoven, 1814, pencil drawing.)
"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’
Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’
Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’Beethoven’s death mask: profile and full face
C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’
Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’
In Alexander Thayer’s Life of Beethoven, vol.1, p. 134, the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).
Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In Beethoven: His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro]. His black beard…darkened the lower part of his dark-complexioned face.’
Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.
Beethoven, the Black Spaniard(read more here)
They whitewashed BEETHOVEN? O_O
Thank you, history/fact-checking Tumblr.
I now feel the need to go burn every white-skinned image of Beethoven I can find.
Let’s talk briefly about how gay Hallie was for tie-dye tomboy with the cool hair.
THIS HAD 15 NOTES WHEN I WENT TO SHOWER AN HOUR AGO
Don’t be so simple. People fill their songs and stories with monsters. They define themselves in relation to them. You know what a monster is? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways. There are far, far worse things to be than a monster. - Jim Butcher, Ghost Story
I firmly believe that the reason many Slytherins were easily convinced to join Voldemort was because they were treated like shit by the rest of the houses while they were growing up. Imagine spending seven of the most important years of your life being told that you were part of the bad house and therefore bad yourself. Everyone boos your quidditch team. All the houses will hang out with everyone except you. You grow up being hated by your fellow students and many of your teachers.
Now imagine someone comes along and tells you that you’re not worthless and bad. That you’re invited to join a family where you will right the wrongs committed against you. You have the opportunity to be wanted and powerful instead of a hated outcast. Several of your former classmates are telling you how great it is. How you’re welcomed and needed. These are the kids you grew up with. The classmates who went through all the same things you did. Being a Death Eater sounds pretty good now.
I’ve been waiting for a post like this.
BLESS THIS POST
I was always bothered by the scene at the end of book 7, when the students are asked whether they want to fight the incoming Death Eater army. The Slytherin students are all like, “Uh. No?” And they’re treated like terrorists for it. In the movie, they’re even locked in the school dungeons while everyone cheers.
Did nobody stop to think and realize that if the Sytherin students had stood and fought, they would have been facing their own parents on a battlefield? Even if some of them weren’t really on board with the whole Death Eater thing, expecting them to fight was just cruel. They were children. The oldest of them were seventeen. Babies. And their own professors were asking them to shoot illegal killing spells at Mum and Dad.
Imagine you are a Slytherin and you are staying behind to defend your school and maybe restore some honor to your House. The other students are all giving you mistrustful glares. You know they’re waiting for you to start hitting them in the back with stunning spells. You consider doing it, too, because you’re already starting to regret the choice you made.
Then the battle begins, and you are up against a crowd of strangers who aren’t strangers at all. You recognize voices, muffled behind masks but still piercingly familiar. Your uncle. Your cousin. Your best friend’s big sister.
And then you see a tall man in expensive grey robes. A moment later you notice the small, curvy woman next to him, wand ready. They are guarding each others backs.
You recognize their shoes.
I always though this. And at the end of The Philosopher’s Stone? Slytherin had worked incredibly hard, and Dumbledore made sure that just enough points were given to students who had done about a million things against the school rules so that they would lose. I think that Slytherin house was victimised a lot, and I kind of hope now that the likes of Scorpius Malfoy won’t have to go through such prejudice. Perhaps, after the war, people realised that all Slytherins weren’t to blame Probably not, though.